It seems that the “ghosts” my father painted didn’t only live in walls, but also left written messages there.
Signs whose alphabet is unknown. Messages without translation, screams without sound, unrecognizable signatures, scribbles, mumbles, traces. . .
What did my father find in those signs he discovered on the walls?
The impotence of beings without speech? Despair, the torture of silence?
I don’t know what my father’s conscious purpose was when undertaking these works. I remember he mentioned that walls appeared “eloquent”. . .
The mystery that surrounds these series of works makes me think of the impossibility of speaking, of saying. . .of being. . .
Who left those messages on the walls?
Perhaps beings who don’t know how to pronounce their own name, who are surrounded by an overwhelming indifference?
Had my father felt that each man is condemned to live and die inside himself, as in a prison, without being able to formulate, or even understand, his own secrets?
The wall nº 8 · Tempera. 29cm x 22cm · 1993
The wall nº 7 · Acrylic. 15cm x 21 cm · 1993
Siesta · Tempera. 46cm x 70cm · 1993
The wall nº 8 · Tempera. 29cm x 22cm · 1993